Greenfield Guitars
The Woodnest Collection
Available for purchase, these guitars are built with my favourite combination of materials and features.
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ANDY MCKEE RYLYNN MODEL #312
This guitar is the essence of Andy McKee’s guitar without the more ornate appointments and complex options found on the Signature model
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Rylynn #1 (prototype)
- Model G4
- DADGAD fanned frets
- Florentine cutaway
- Adirondack red spruce soundboard
- Wenge back
- Wenge sides (laminated)
- Radially braced back plate with proprietary Greenfield Tone HaloTM
- Ebony body bindings
- Fine violin line purflings
- Greenfield, proprietary spalted Beech and abalone rosette
- Compound 16” – 20” radius, quarter-sawn ebony fingerboard
- 13/4” nut width
- 21/4” string spacing at bridge.
- Honduran Mahogany, carbon graphite reinforced neck
- “Classic” neck profile
- Custom fit flight case.
Comes with a numbered Certificate of Authenticity signed by Andy McKee and Michael Greenfield, as well as a USB flash drive filled with transcriptions of Andy’s songs.
SOLD
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#241 G1
An elevated fingerboard, negative neck-angle model G1 with a harp-like voice
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- Fanned fret, 25” – 26” scale
- Florentine cutaway
- Master grade moon harvested Alpine spruce soundboard
- Reserve grade Amazon Rosewood back and sides
- Composite laminate rim assembly
- Radially braced back plate with proprietary Greenfield Tone Halo™
- Laskin inspired arm rest
- Ebony body bindings
- Greenfield, proprietary spalted beech and paua heart rosette
- Compound 16” – 20” radius, quarter-sawn ebony fingerboard
- 1¾” nut width
- 2¼” string spacing at bridge.
- Hand carved, Honduran Mahogany, carbon graphite reinforced neck
- Elevated neck with negative string angle
- Carbon graphite flying buttress system
- “Standard” neck profile
- Ebony peghead overlay, w/ “g” logo
- Ebony, string-through bridge (inspired by the designs of Steve Klein)
- ¼” natural, un-bleached bone nut and saddle
- Greenfield “g” 510 tuners
- Custom fit Accord flight case
SOLD
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#294 ALL KOA, FANNED FRET MODEL G1
A visually striking, spectacular sounding guitar
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- Florentine cutaway
- 25” – 26” Scale Fanned Frets
- Hawaiian Koa soundboard
- Hawaiian Koa back and sides
- Composite laminate rim assembly
- Laskin inspired Arm rests
- Ebony body bindings
- Fine violin line purflings
- Greenfield, proprietary spalted Beech and abalone rosette
- Compound 16” – 20” radius, quarter-sawn ebony fingerboard bound with ebony
- 13/4″ nut width
- 21/4″ string spacing at bridge
- Hawaiian Koa, carbon graphite reinforced neck
- “Standard” neck profile
- Hand carved heel “swoosh”
- Double veneered peghead
- Ebony peghead overlay, w/ “g” logo
- Hawaiian Koa peghead underlay
- Ebony, string-through bridge (inspired by the designs of Steve Klein)
- ¼” laminated bone nut and saddle (unbleached)
- Gold, “g” 510 tuners with Ebonoid buttons
- Custom fit Main Stage flight case
SOLD
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#276 - G4 WITH FANNED FRETS
A “fully loaded” version of my model G4, spec’d as played by Andy McKee in mahogany
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- Florentine cutaway
- Greenfield Guitars DADGAD scale – fanned frets
- Personal reserve Adirondack red spruce soundboard
- Reserve grade, Fallen Giant mahogany back plate
- Reserve grade, Fallen Giant mahogany sides (laminated with mahogany)
- Radially braced back plate with proprietary Tone HaloTM
- Laskin style arm rest
- Laskin style rib rest
- Ebony body bindings
- Fine violin line, wood body purflings
- Proprietary Greenfield paua heart abalone and spalted beech rosette
- Compound 16” – 20” radius, quarter-sawn ebony fingerboard bound with ebony
- Brass circle fretboard markers with “magic 8 ball” 12th fret marker
- 13/4” nut width
- 21/4” string spacing at bridge.
- Honduran mahogany, carbon graphite reinforced neck.
- Heel “swoosh”
- Ebony string through bridge inspired by the designs of Steve Klein
- Natural, unbleached bone nut and ¼” saddle
- Gold Greenfield “g” 510 tuners, 21:1 ratio
- Stained transparent “mahogany” finish on body and neck
- Natural finish on soundboard
- Custom, carbon fiber/fiberglass, Main Stage flight case
SOLD
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#275 - OVAL SOUNDHOLE G2
A beautiful oval soundhole G2 with my proprietary DADGAD fanned frets.
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- Florentine cutaway
- DADGAD scale – fanned frets
- Personal reserve moon harvested Alpine spruce soundboard
- Reserve grade Amazon rosewood (Dalbergia Spruceana) back plate
- Reserve grade Amazon rosewood sides (laminated)
- Radially braced back plate with proprietary Tone HaloTM
- Laskin style arm rest
- Laskin Style Rib Rest
- Ebony body bindings
- Fine, violin line wood purflings
- Oval soundhole with paua heart abalone and Amboyna burl rosette
- Compound 16” – 20” radius, quarter-sawn ebony fingerboard
- Brass circle fretboard markers with “magic 8 ball” 12th fret marker
- 1 3/4” nut width
- 2 1/4” string spacing at bridge.
- Honduran mahogany, carbon graphite reinforced neck.
- Heel “swoosh”
- Ebony bridge
- Natural, unbleached bone nut and ¼” saddle
- Gold Greenfield “g” 510 tuners, 21:1 ratio
- Natural finish on body
- Deep red mahogany tinted neck
- Custom, carbon fiber, Accord flight case
SOLD
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#271 - CONCERT CLASSICAL GUITAR
A powerful and articulate modern concert classical guitar
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- 650mm scale
- Moon harvested Alpine spruce soundboard
- Composite, laminate back plate with Indian rosewood exterior veneer
- Composite, laminate sides with Indian rosewood exterior veneer
- Carbon graphite flying buttress tube support system
- Cantilevered arm rest
- Ebony body bindings
- Fine violin line, wood purflings
- Proprietary Greenfield paua heart abalone and spalted beech rosette
- Elevated fretboard
- Negative neck angle
- 650mm scale length
- 53.5mm nut width
- 58mm string spacing at bridge.
- Sapele mahogany, adjustable neck
- Padauk, 12 hole “Gilbert” style bridge
- Baljak handmade tuners
- Natural gloss finish on back, sides and neck
- Special ultra-thin finish on soundboard
- Custom, carbon fiber, Accord flight case
SOLD